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Five action movies to stream now

Five action movies to stream now

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If you have not seen “Philosophy Copy” or its sequel, you do not need to worry. “Ben & Jody”, the rolling third film in the series by Indonesian director Angga Dwimas Sasongko, offers many pleasures as a stand-alone anti-capitalist, pro-environmental statement.

As he approaches the opening of his new exclusive cafe, Ben (Chicco Jerikho) learns that a gang of lawless lumberjacks led by the villain Aa Tubir (Yayan Ruhian) has kidnapped Jody (Rio Dewanto) to stop him from leading a strike against deforestation. and relocation of local villagers. Ben goes out into the jungle to find his friend, and is captured, but, helped by other prisoners, he escapes with Jody. After their escape, Ben and Jody come across a matriarchal village led by two sisters, Rinjani (Hana Malasan) and Tambora (Aghniny Haque), who are trying to find their imprisoned father.

While the two men help, Sasongko fortunately does not move the women to the periphery. The sisters have the best match choreography while Ben and Jody take the background in an engaging bromance. The film is also visually captivating, with cinematographer Arnand Pratikto exploiting the devastating effects of the dual-style camera movement that became popular with Spike Lee.

Another sequel that requires little background knowledge is Japanese director Kan Eguchi’s gruesome but comic underworld thriller. This part is based on a manga series, and sees the hitman Akira Sato (Junichi Okada), codenamed Fable, live in half board with his partner, Yoko (Fumino Kimura). Utsubo (Shinichi Tsutsumi), a ruthless gangster who pretends to be a disability activist, is looking for him without Sato knowing it.

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Utsubo further polishes his public personality by taking care of the teenage wheelchair user Hinako (Yurina Hirate), whose parents were killed by a hitman. But Utsubo is a predator that actually keeps her trapped. And when Sato becomes friends with Hinako, he makes it his mission to free her.

While “The Fable” has intricate murders, like a bulldozer used to hang a man over a newly opened grave, it is the film’s gut-wrenching humor that leaves the biggest impression. If you’re a fan of manga comedy, then Eguchi’s movie is catnip. Sato is the perfect pristine hero, containing both the ability to kill someone in six seconds or less, and a penchant for banal soap operas.

This film from the Chinese writer and director Yang Feng, which took place during the Second Sino-Japanese War (1937-45), tells the story of the Shandong Rail Corps, a group of resistance miners and train workers fighting for Chinese independence.

The faction leader, Hong (Zhang Hanyu), sends out unlikely fighter jets as the intoxicated station operator to gain Japanese confidence and cut off intelligence documents. But the arrival of the evil Hirokazu Fujiwara (Hiroyuki Mori), an officer tasked with ending the railway corps’ progress, brings new challenges. Hong carries out four dangerous missions to undermine the occupying Japanese soldiers.

Apart from the shots, which evoke film noir from the 1940s, it is the scale of “Railway Heroes” that excites. The snow-covered sets abound in extra material, the precise period details give a tactile texture and the large scenery gives the story an epic quality. The director’s demanding vision is best felt in the latest claustrophobic passenger car showdown, where Hong and Hirokazu slowly exchange bullets.

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A man singing in a tree is suddenly killed by an unknown gunman. Later that night, opium dealers rob and murder a man and his wife. On their face are the two separate tragedies. And yet, a peculiar antique seller named Siddharth (Harshvardhan Kapoor) may be associated with both.

Located in 1985 around the desert border of Rajasthan in northern India, this revenge-new western film by Raj Singh Chaudhary is a cruel, relentless adventure with few winners. For behind Siddharth’s quiet, amiable exterior lurks a monstrous brutality driven by grief. When he does not fall for the wife of a target, he tortures her husband and his friends on a remote cliff by running spikes at their feet.

This muscular film loves the sound of squeaky bones and is never visually squeamish: The make-up work and the practical effects of hollowed-out wounds are deliciously gnarled. Equally effective is the outlaw environment created by Chaudhary. Ajay Jayanthi’s score is reminiscent of the spaghetti western films of the 1960s, such as “The Good, the Bad and the Ugly”, while Anil Kapoor as Inspector Singh on the motorcycle, is related to Marlon Brando in “The Wild One”. This collection of influences makes “Thar” an ingenious reinvention of a classic genre to tell a distinctly Indian story.

Rent or buy on most major platforms.

Set in 1944, this fictional story from World War II has a unique premise: A group of German soldiers known as the KG 200 planes took American and British planes to use them as Trojan horses in a larger plan to destroy London. Captain David Holden (James Maslow), an American pilot who was defeated behind enemy lines, must escape another missing German pilot (Trevor Donovan), free a group of prisoners of war and destroy a Nazi air base if he hopes to give the Allies another chance. to win the war.

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For combat movie lovers, this film, directed by Michael B. Chait, offers tangible excitement by relying on practical effects for its intricate dog fights. Instead of recreating the battles in the sky through clumsy computer graphics (there is a certain use of visual effects fire), Chait mixes real aerial craftsmanship with Westley Gathright’s tangible cinematography and Janina Maria’s electrifying editing to build intoxicating aerial action that takes one back to the 1950s. Hollywood War Movies of the Century.

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