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Why Orbital Children is the best sci-fi anime of 2022 (so far)

Why Orbital Children is the best sci-fi anime of 2022 (so far)

This article contains spoilers for episode 6 of Orbital Children.Mitsuo Iso’s creation, Orbital children (aka Extraterrestrial boys and girls) is a completely believable sci-fi anime about two young people who were born on the moon. Touya Sagami and Konoha Nanase are the only surviving survivors of the fifteen infants born in space, and they have spent most of their lives aboard the Japanese-built space station Anshin.

In an effort to encourage space exploration to continue again, Miina Misasa, Hiroshi Tanegashima and Taiyou Tsukuba are sent on a cosmic holiday to join the alien children on Anshin. Everyone is forced out of their comfort zones when unexpected remnants of space leave them cut off from society and fight for their lives.


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Scientific accuracy

Except for the last two episodes, almost everything depicted in Orbital children is relatively realistic and appears to provide an accurate representation (from a layman’s point of view) of space travel. The characters must relate to intellectual concepts of philosophy, physics, geometry, decompression, mathematics and more, while trying to survive their catastrophic cosmic adventures.

Most science fiction stories rely on their creative freedom, teleporting viewers into a world that could not possibly exist beyond one’s imagination. As exciting as this is, some viewers long for a more related sci-fi anime to watch, and Orbital children will probably satisfy that craving. Not only are relevant organizations such as NASA and the UN working into history, but also modern factors such as social media, discrimination and the development of artificial intelligence.

Orbital children goes even deeper into scientific accuracy when it explains how some rooms at the Anshin space station have gravity, all thanks to the effects of Gravitron. The other technological development shown through Orbital Children also seems quite possible and does not enter the realm of imagination. In an effort to combat the popular belief that AI may one day take over, researchers have come up with the creative solution of installing intelligence inhibitors in hopes of regaining control. When an AI called Seven shows signs of exceeding the accepted level and prophecies that humanity needs to reduce the population by 36.79% in order to survive, the AI ​​is destroyed, and Touya and Konoha are basically left to themselves.

Fully possible (and potentially likely)

While the likes of Elon Musk and Jeff Bezos participate in the space race with ideas for a day to inhabit the cosmos as motivation, many people have found themselves involved in the realistic discussion of whether they would leave Earth if given the chance. In the not so distant future of 2045, humanity will make its first attempt several years before Orbital children is set, and began to settle in bespoke space stations and on the Moon. Unfortunately, when the first generation of space-born babies met an untimely death, all but a few withdrew to the home planet. Touya and Konoha were the only children who saw their teens as extraterrestrial, thanks to the advanced construction of Seven, and remained in space, physically unable to join the rest of humanity on Mother Earth.

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It becomes quite clear that there would be developmental consequences for reproduction in outer space, since even with the help of Seven’s technology, Touya and Konoha’s bodies have obviously taken a toll on living in the unnatural environment. Touya seems to have muscular dystrophy to struggle with, struggles with the simplest tasks such as walking or running, and is instead dependent on a wheelchair-type device for transport. Konoha’s struggle seems to be more serious, as her AI companion replaces as a 24 / hour nurse with a direct link to assess her heart rate. As wonderful as it may be to one day live in space, even astronauts suffer physical damage to their anatomy, and adequate access to oxygen, food and water should not be the only priority of the minds of optimistic astronauts. Orbital children gives absolutely some perspective to an otherwise romanticized concept.

Charismatic characters

It is quite commendable that Ghost in the shell the animator is able to squeeze so much depth into his characters in just six short episodes, as he creates a relatable and interesting selection of personalities. Each protagonist goes through a significant amount of personal development as the story unfolds, and yet their progress does not feel rushed or forced. The first impression is thrown out of the window towards the end, as the exciting twists in the story evoke personal revelations to the left, right and center.

The fan favorite position is fought for between Touya, the bitter and annoying prodigy, Taiyou, the narrow and conscientious law enforcer, and Miina, the bubbly and naive influencer. Viewers can also choose to focus on Konoha, who remains selfless and kind regardless of her impending death, or the adorable genius brother Hiroshi who is just too sweet for words. Nasa Housten gets a lot of attention as one of the most exciting characters, and even the AI ​​units each have their own unique personality.

The big debate at the end of the day comes down to the classic question: should one sacrifice a few to save many? Touya has developed a deep hatred of humanity, which has essentially left him in space and eliminated the likelihood of a future. Many Earthlings, on the other hand, are tired of the extraterrestrial children because a large sum of taxpayers’ money goes to their survival in space, instead of promoting evolution on Earth. Terrorists side with Seven and believe that a massacre is inevitable, and those trapped in the space station Anshin are attacked with nuclear weapons to save the rest of humanity.

Will there be more orbital children?

With only six episodes, one would assume that there are more to follow, but there has been no confirmation that the series was renewed. Many fans will argue that Orbital children is one of those cases where less is more, as the series finale ties the story together in a relatively satisfying way. Although some viewers are disappointed with the introduction of the 11th dimension (which appears to be a bit far-fetched), most are happy with how the children’s adventure ended, to be continued within the imagination. Fortunately, Mitsuo Iso gave himself an opening to continue with this sci-fi adventure, as the group of friends all seem determined to return to the cosmos again.

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